четверг, 20 сентября 2012 г.

NEW MAGAZINE HAS IT COVERED.(Sports)(Column) - The Post-Standard (Syracuse, NY)

Byline: BUD POLIQUIN POST-STANDARD COLUMNIST

So, I'm sitting there, a kid in an Iowa river town, and my father drops a magazine in my lap and tells me that I'll henceforth be getting a different copy of it every week in the mail.

A 'subscription,' he calls it. And then he leaves me to my reading... which, if memory serves, was a story written by a fella named Tex Maule about a boxer named Cleveland Williams.

All these years later, I'm still a subscriber to 'Sports Illustrated,' and (much to my bride's chagrin) I've got the decades and decades of back issues packed in boxes down in the basement to prove it. Which means that after all this time, Thursdays remain 'go-to' days in my week. As in, go to the mailbox and grab the latest offering from SI.

The romantic in me hopes that maybe, just maybe, a thin slice of history will repeat itself around here. The Post-Standard's newest publication, 'Central New York Sports' magazine, will be in stores and on newsstands this week... and who knows? Perhaps there will be parents in and around our town who will push it under the noses of their kids.

That is, after they -- the moms and dads -- read 'Central New York Sports' themselves.

I don't recollect who was on the cover of that first Sports Illustrated handed to me by my dad on that fine Iowa day, but I can report that Wesley Johnson, Syracuse University's 6-foot-7 transfer forward from Iowa State, graces the cover of our inaugural issue.

While that compelling photograph, taken by Dennis Nett, is just one of a collection of vibrant shots captured by our staff, it may well be the most creative. First, Dennis positioned three strategically placed strobe lights on the Manley Field House court; then, he balanced himself on the top rung of a ladder behind a backboard and took aim.

And some 20 Wesley Johnson dunks later, we had our spectacular premier cover photo.

There is more, though, than wonderful photography scattered across those 120 pages of 'Central New York Sports.' There are features and columns, charts and statistics, anecdotes and opinions. Meanwhile, all manner of sports are covered -- professional, collegiate, high school, participatory and the outdoors.

Donovan McNabb fields 10 questions from readers of The Post-Standard and syracuse.com. Rob Moore explores the mind-set of NFL players as they peer at the second half of their schedules. Gerry McNamara explains the psychology of the free throw. Erica Morrow 'fesses up to her transcendental meditation. Nikki Works, the Nottingham High School athlete, admits that Ben Wallace is her athletic role model. Dick Biddle weighs in on those crunching helmet-to-helmet hits in football. Former Orangeman Dave Archer discusses the toughness of ol' Ben Schwartzwalder.

There are stories on individuals such as Carmelo Anthony, Jim Boeheim, Floyd Little, Beezie Madden, Terrell Owens and, of course, Wesley Johnson. There are pieces on SU football and SU basketball and the Crunch. There are full-page tips on winter running and cross-country skiing and downhill skiing and deer hunting and snowmobiling.

And, sure, we'll take you to the banks of the Salmon River where the fishing is usually so good.

There are other elements to 'Central New York Sports,' of course, including even a sports-centric crossword puzzle (48 across, four letters, 'Yankee or Oriole, briefly'... anyone?) and conditioning tips from Will Hicks, SU's conditioning coach. And it all makes for a nice put-your-feet-up experience. So, why not grab a copy? Maybe, just maybe, it'll become a habit.

You know, like that other magazine did so long ago for that kid in Iowa.

Bud Poliquin's column and his 'To The Point' observations appear regularly in The Post-Standard. Additionally, that work, plus his on-line commentaries, can be found virtually every day on syracuse.com. E-mail: bpoliquin@syracuse.com.

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Dennis Nett/The Post-Standard

NEWS SUN RATED TOPS IN SPORTS COVERAGE BY STATE PRESS GROUP - The News Sun - Waukegan (IL)

The News Sun has won first place in sports coverage in 'the Best of the Press' competition sponsored by the Illinois Press Association.The newspaper was entered in the Division E circulation category in the annual statewide contest.

The newspaper also received honors in several other categories.

In sports coverage, contest judges heaped their praise on the paper, declaring that 'The News Sun is light years ahead of its peers.'

'The sports section includes compelling feature stories and an impressive mix of local, regional and national coverage.

Photos are excellent and the Our Town Page and local emphasis are exemplary.'

Also in sports, News Sun sportswriter Jim Young placed second for his 'Fighting Spirit,' a story about boxing.

'You're hooked from the beginning,' gushed the judges about the entry. 'Great set-up. Gives great look at boxing in its purest form.

Loved angle, story of two amateurs.

Wish there could be two first-place awards,' the judges added of Young's runner-up finish.

News Sun staff writer Dan Moran won the third place in column writing.

He was lauded by the judges for his 'good approach that has undoubtedly has won him readers.

His Leon Smith column is especially well-written.'

The News Sun also placed third in design.

The paper was hailed for its 'professional look.'

The News Sun gained an honorable mention in general excellence.

'Like all the Copley papers, The News Sun is well-designed and easy to read, making excellent use of color, typography and photos,' said the judges.

In community service, the paper placed third for its coverage of the controversial multiuniversity center.

A final chapter has yet to be written since a decision has not been made as to where the center will be located.

In special sections competition, this paper won third place for its 'History Makers,' a special supplement that took a look at the Warren Township High School Class AA basketball team that placed second in the state last March.

'They came up short, but they came back heroes says it all,' said the judges of the section.

'There is nothing like scholastic athletes to inspire and bind a community. This section will turn up in plenty of Warren Township houses 50 years from now.

Great art, design and staff teamwork makes this section go,' they observed.

For feature photography, News Sun photographer Steve Lundy won a third place for his picture titled 'Good Friday.' The judges praised the entry as 'strong photo, excellent use of light/lens to make compelling photo.'

Photographer Michael Schmidt received an honorable mention for his 'History Underfoot' entry in personality portrait competition.

'Camera angle and composition made it work,' said the judges.

In sports photography, Thomas Delany Jr. placed a third for his work on prep baseball.

'Wonderful faces, great composition.

Really captures the spirit of this team,' said the judges.

Delany also received an honorable mention for an entry on Lake Forest High School volleyball.

'Gets your attention.

среда, 19 сентября 2012 г.

PORTSMOUTH SPORTS CLUB HONORS LOCAL ATHLETES, AND ONE OF ITS OWN.(PORTSMOUTH CURRENTS) - The Virginian-Pilot (Norfolk, VA)

Byline: BILL LEFFLER THE VIRGINIAN-PILOT

There was only one surprise winner at the 57th annual Portsmouth Sports Club Jamboree.

And he was really surprised.

All award winners are announced prior to the Jamboree, except the Sports Club's Member of the Year.

'It's my favorite award,' said Jamboree emcee Bruce Rader. 'Nobody knows who it is until I open the sealed envelope.'

The honor this year went to Jimmy Currie. A veteran high school football official, Currie was recognized for his photography work for the club. He's one of two official photographers for Sports Club events. He also serves on the club's board of directors.

'I was totally shocked when they called my name,' said Currie. 'I never expected to be the one getting this award.'

As a high school athlete, Currie was a member of the undefeated, untied and unscored upon Churchland football team in 1954.

Jamboree chairman Jimmy Williams called the recent event at the Holiday Inn-Olde Towne 'the most successful one we have ever had.'

The Jamboree, headlined by University of Virginia football coach Al Groh, was a sellout. There were more than 400 in attendance.

More than $15,000 in program advertisements were sold by the 13-member ad committee, chaired by club secretary Burle Stromberg.

'Proceeds from the Jamboree go to our Sports Foundation, which provides scholarships to worthy high school graduates in our area,' said Johnny Harrell, the Sports Club president. 'And it will help us support more projects and activities.

'This year we awarded seven scholarships and we will certainly be able to do that again next year. The attendance at the Jamboree and the resounding support of individuals and businesses within our community who purchased ads in our program have made this one of our finest Jamborees.'

Added Harrell: 'Next up on May 14 at Bide-A-Wee is our annual golf tournament. Proceeds from this will go to the Sports Foundation.'

Groh also was honored as the College Coach of the Year. He was the Atlantic Coast Conference coach of the year. His quarterback, Matt Schaub, was recognized as Male Athlete of the Year.

Quipped Groh: 'I knew Matt would be here without me but I wouldn't be here without Matt.'

Old Dominion field hockey star Tiffany Snow, who won the Honda Award as the nation's top player, was honored as the Female Athlete of the Year.

Karl Quinn was a double winner, receiving the Sportsman of the Year award for his work with the Eastern Amateur and the High School Coach of the Year award for leading Western Branch to the Group AAA state championship.

The Ace Parker Athletic Awards of Excellence went to Vince Hall and Jessica Moore, both from Western Branch.

Scholarship winners were Kelsey Neil of Wilson, Glenn Martin of Churchland, Pam Smith of Portsmouth Christian, Ryan Brodie of Norcom and Western Branch's Jamie Hamilton, Jason Carmichael and Jessica Imhof.

Life membership in the Sports Club was awarded to Gracie Lee VanDyck, the eighth individual to be so honored.

Sonny Randle, a former UVA star and four-time Pro Bowl wide receiver in his 14-year NFL career, was the Celebrity Luncheon speaker and introduced the Jamboree speaker.

Randle was head coach in 1974 and 1975 at Virginia. Introducing Groh, Randle said 'I hold the record at UVA for coaching the most homecoming games. We were so bad that everybody scheduled us for homecoming. I think they even moved some of those games to Charlottesville.'

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Sports lab scores big: new dye-sublimation process used at PPI Lab creates quality products templates can't reproduce.(Trends & Technology)(Company overview) - PMA Magazine - Connecting the Imaging Communities

Accurate anticipation is often the earmark of an excellent athlete, bur it was also crucial in converting PPI Inc., Mobile, Ala., a vertically integrated, film-based photographic portrait program company into PPI Lab (www.ppilab.com), an all-digital sports wholesale fulfillment business.

That PPI was able to correctly anticipate future digital trends in the sports photography industry is one reason PPI Lab is able to successfully offer its photographer clients cutting-edge sports products of the highest quality, while also maintaining its reputation for outstanding service, says Pete Taylor, CEO, PPI Lab.

Service mentality

'There are two definitions for the word 'service' in this business,' he explains. 'Typically, 'service' is defined within the context of a lab that makes its clients do the bulk of the work, and then prints their team and individual photographs as fast as possible,' says Taylor, a business development engineer by trade, as well as a longtime photographer.

''Service,' as defined by PPI Lab,' Taylor continues, 'is providing the specialized labor needed to handle consistently the complete digital workflow process for our clients, leading ultimately to the accurate, on-time fulfillment of the most customized and personalized graphically enhanced sports products in America.'

PPI Lab handles the workflow considerations for its client base, to allow them to concentrate solely on booking, shooting, and managing their businesses.

This is why PPI Lab clients not only see consistent growth in their businesses every year, but also why Taylor views a 20 percent to 30 percent annual growth range as being a realistic goal, despite some non-PPI photographers who offer many kinds of incentives to leagues and athletic programs in exchange for the contract.

'Incentives aren't always required for our photographers to book more leagues,' says Taylor, adding PPI Lab photographers enjoy an average 85 percent conversion rate as well. 'We want our photographer clients to maximize their market penetration in the shortest time possible. Being able to use our products for sales presentations is one way to achieve this, as league officials can easily note the difference.'

Photographer clients of the lab are granted exclusive rights to PPI Lab sports products for their areas. This minimizes conflicts with offering the same products as the competition, according to Taylor. No PPI Lab client requires a Global Positioning System to determine the boundaries of a territory, and each photographer can make it as large as he wishes without fear of overlapping another PPI Lab customer.

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'We help oversee territories, while fostering the development of positive working relationships between our clients in a given region,' says Taylor. 'We encourage our photographers to take on as many accounts as they can land. So far, there have been no real problems between our clients.'

PPI beginnings

Founded in 1958 by John J. Arata St., PPI Inc. was a sizable film-based, long-roll lab with a strong regional retail presence, servicing numerous professional market channels, including schools, churches, glamour, family, and sepia-toned photographic opportunities. The company decided in 2002 to sell its substantial retail businesses and concentrate its efforts exclusively on sports.

Hurricane Katrina proved to be an unwanted ally, partially taking the roof off the 36,000-square-foot, multiple-floor PPI Lab location. The company is now located in a single-story, 10,000-square-foot facility. Its in-house proprietary digital systems also streamline the workflow, creating an effective labor-reduction environment. This gave the management team the financial means to be proactive, while also permitting months of brainstorming to identify and implement a complete, fully digital turnkey solution that would not impede current workflow capacity or speed, much less quality.

'Our intention was to design sports products we would want--and couldn't do without--for our own children, who were active in several sports,' says Johnny Arata, president, cofounder, and business partner of Taylor and Arata's dad, John Arata Sr.

'We really have to love a product before we offer it to the public,' Taylor notes.

According to Taylor, few workflow solutions were available to digital labs when PPI Lab completed its digital conversion in 2002, and scaling the process to deliver to large sports programs nationally required the development of a very robust and sophisticated workflow fulfillment system. Copyright infringement is a concern to a company that created its own operating software--but not a major one as long as the competition continues to use template technology to increase product quality.

'Comparing the quality and complexity of our products to that of our competition is akin to comparing a two-dimensional chess game with a 3-D chess game. We offer photographic products that can't be duplicated using template technology.'

Though text and graphics management is a strong point for PPI Lab, the company has also invested much labor and money in image quality and management, developing a color profile solution that ensures matching output color profiles for all its products, regardless of the output device.

PPI Lab photographers can offer their athletic communities more than 250 different products, divided into 14 distinct product groupings delivered through three highly targeted product lines, with 35 different design lines that keep the products flesh and exciting for consumers. The product groupings range from color, black-and-white, and sepia prints, to an assortment of graphically enhanced print products, to traditional novelty gifts such as pennants and photo statuettes, to custom specialty gifts such as clip boards, coffee mugs, hooded sweatshirts, and photo blankets.

One of the most complex processes PPI Lab has implemented with great success is a dye-sublimation system called Sublimentatio, which doesn't attach an image to a mug or a fabric using a transfer process. Instead, it uses a gaseous pressure system that heats pigments to 400 degrees Fahrenheit, and actually impresses the colors into the product. It's similar in concept to a true fresco mural, in which the paints are an actual part of the wall, versus graffiti, which is spray painted on a wall and can be easily removed by city street and sanitation crews using high-pressure canon hoses.

Flexibility

With all it affords as a competitive edge to its clients, PPI doesn't demand exclusivity, even from those photographers it has trained extensively and given a protective territory. PPI Lab photographer clients mostly process posed team and individual athlete jobs through the lab, the type of work that doesn't necessarily lend itself to on-site printing and selling.

Should a PPI Lab client want to sell prints at tournaments, however, it doesn't bother Taylor. Nor do parents taking their own action shots from the stands using their DSLRs, to later make prints at home or from a nearby kiosk. More important, many labs--not to mention professional photographers and parents--attempt to make their own graphically enhanced prints and other products using nearly identical, inexpensive systems offering templates and borders.

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'Because of the unique nature of our products, coupled with the depth of our reproduced images and graphics being so difficult to match, and then the super character of the clients we work with, we are confident in our business-to-business relationships,' states Taylor.

'Posed sports photographic opportunities are seasonal, and we understand our clients need to offset that with additional services, particularly action and event coverage. These services represent market opportunities we may choose to move into sometime in the future. There are many solutions for on-site printing or posting to the Web already available.

'Our focus is to be the best at exactly what we are providing. We are growing with our clients, collaborating with them in an effective sort of 'partnership,' and are very grateful for their input and views. They have helped us tremendously in staying competitive and keeping our finger on the pulse of the industry.'

This sort of thoughtful character, uncommon in today's business world, is the standard at PPI Lab. For example, its benchmark for service is being the greatest quality sports products delivered on time, if not early. PPI will not decrease fulfillment time to be more attractive at the expense of athletes.

Most photographers send PPI Lab their work on a CD or DVD, rather than an FTP or Web-based interface, though the lab has developed both. 'This adds an extra layer of privacy protection, which is still necessary, considering the potential risks to images of children,' says Taylor, adding he has confidence in technology to address and overcome this concern.

TOMMY DILLARD JOINS GOLDEN EAGLE SPORTS INFORMATION STAFF - US Fed News Service, Including US State News

COOKEVILLE, Tenn., July 13 -- Tennessee Technological University issued the following news release:

Tommy Dillard has joined the Tennessee Tech Sports Information staff, accepting an internship position in which he will work behind-the-scenes with all of the university's 14 intercollegiate teams.

Dillard, 25, comes to Tech from his position as sports editor of the Murray Ledger & Times, a 7,500-circulation daily newspaper in Murray, Ky. Dillard served as the beat writer covering Murray State athletics and coordinated coverage of the university as well as several high schools. He was also responsible for page and section design, photography and web site maintenance.

At Tech, Dillard will handle several aspects of media relations for the athletics department, including the production of publications, press releases and human interest articles. He will help to provide game coverage, live stats and web streaming, and assist in maintaining the official athletics website, TTUsports.com. He will serve as the primary sports information contact for the soccer and men's basketball teams, as well as the golf, cross country and track teams.

He joins a three-person TTU sports information staff that includes Assistant Athletic Director Rob Schabert and intern Nick Burns, taking the internship position vacated when Kate Nicewicz was named assistant SID at the University of New Mexico.

Prior to being named the sports editor of the newspaper in Murray in 2010, Dillard served three years as assistant sports editor covering local high school athletics.

He has also worked for the Associated Press, covering Murray State home athletic events as well as non-sports-related work. He was a weekly guest on a local sports talk radio show aired on an ESPN Radio affiliate in Murray. In college, he served as the sports editor of his campus newspaper, the Murray State News.

Dillard has earned numerous awards from the Kentucky Press Association, including a first-place honor for Best Sports Story in Daily Class I in 2008 for his game coverage of the Murray State women's basketball team's first-round NCAA Tournament loss to Duke in College Park, Md. In 2010, he earned second place honors for Best Sports Section in Daily Class I.

Sports broadcasters achieve milestones 2005 year of growth on TV, radio, Web - Bangor Daily News (Bangor, ME)

'Tis the season ... for recollection, review, and resolutions.

The year 2005 was a significant one in the local, regional andnational telecommunications arena.

There were many milestones, developments, benchmarks, and advancesmade in the radio, television, telephone and Internet fields as theypertain to sports.

On the local front, Bangor TV station WABI (Channel 5) scoredanother statewide first when it aired all three state championshiphigh school football games live on the same day in November. Theambitious venture was met with plenty of support, appreciation andfanfare, and seems like a good bet for a repeat.

Bangor all-sports radio station WZON (620 AM) aired its 3,000thlive, locally produced sportscast this month. It's quite anaccomplishment considering many doubted the viability of an all-sports radio station in a media market ranked 155th nationally byACNielsen ratings back in 1994 when owners Stephen and Tabitha Kingswitched the format to all-sports. Bangor has since moved up to No.151 and The Sports Zone also has been growing in an upward direction.

Bangor TV station WVII (Ch. 7) once again tried to broadcast NewEngland Patriots preseason games live and once again was thwarted byarchaic NFL broadcast exclusivity rules limiting broadcasts to homemarkets no more than 50 miles beyond the host team's home city. So,once again, WVII aired the games on a tape-delayed basis. One ofthese years, the station's pass attempt might be completed.

Regionally speaking, Fox Sports Net New England startedcelebrating its 25th year of broadcasting the Boston Celtics. It'squite a milestone, in this modern era of monopolistic mega-mediacorporations, massive mergers and specialized cable and satellite TV-radio stations and networks, for one entity to have a partnershipwith a professional franchise in one of the 'big four' sports leaguesthat has been such a long, continuous relationship.

New England Sports Network debuted two new regional sportsconference shows focusing on Hockey East and America East, both ofwhich have received positive responses from viewers and advertisersalike.

NESN also made news on the local and regional fronts when Addisonnative Barry Alley won a New England Emmy Award for photography workdone on a network special about Celtics founder, executive, andformer coach Red Auerbach.

Cable sports network giant ESPN made local, regional and nationalnews when it aired a live segment of its trademark SportsCenter showfrom the annual Machias Blueberry Festival as part of itsSportsCenter Across America promotion.

Longtime Aroostook county resident, Madawaska High School graduateand Thomas College alumna Tiffany Nelson made multiple appearances onESPN and ESPN2 as her professional 9-ball pool (billiards) career hasvaulted her into the Women's Professional Billiards Association's top25 rankings.

Bangor native Marcus Davis appeared on the second installment ofSpike Network's Ultimate Fighter UFC reality show series and lasteduntil the midpoint of the season before being eliminated.

Both Major League Baseball and minor league baseball fully doveinto the Internet with the majors adding radio and TV Web casts andWeb streaming capability to its site. Its minor-league counterpart'sWeb site underwent a complete overhaul with the same capabilities andfeatures to make it more fan-friendly.

Here's hoping 2006 holds more technical advances, groundbreakingmoments and pleasant surprises for every couch potato and network-station official in Maine, New England, and the U.S.

Have a safe, happy, and successful New Year!

Meet Aqpik, Marek and Chelsie: Vancouver 2010 Showcases Aboriginal Athletes Through Poster Series and Invites Aboriginal Youth to "Find Your Passion in Sport" - CCNMatthews Newswire

VANCOUVER, BRITISH COLUMBIA--(CCNMatthews - March 5, 2007) -Aboriginal youth across Canada are being invited to find inspirationin Aboriginal athlete role models with Vancouver 2010's 'Find YourPassion in Sport' poster series. The Vancouver Organizing Committeefor the 2010 Olympic and Paralympic Winter Games (VANOC) unveiled theseries today as part of its commitment to increase awareness of, andparticipation in, Olympic and Paralympic winter sport by Canada'sAboriginal people.

'At Vancouver 2010, we have set a goal of unprecedented Aboriginalparticipation,' said VANOC Chief Executive Officer John Furlong.'These three athletes have dreamed bigger, reached higher andcelebrated what's possible when you try. We are very proud of theiraccomplishments and are excited to have them on our team, encouragingAboriginal participation in sport across the country.'

The athletes featured in the series reflect all three Aboriginalgroups from across Canada, First Nations, Inuit and Metis. The threeinspirational athletes were chosen from a final shortlist of a dozencandidates:

- Chelsie Mitchell (Snowboard) - a First Nations youth fromBritish Columbia

- Aqpik Peter (Speed Skating) - an Inuit youth from Nunavut

- Mareck Beaudoin (Biathlon) - a Metis youth from Quebec

(i) Posters Available On-Line: A version of each poster can beaccessed directly via vancouver2010.com at (for the purposes of themedia only):

- http://www.vancouver2010.com/resources/PDFs/Poster_Mareck.pdf

- http://www.vancouver2010.com/resources/PDFs/Poster_Aqpik.pdf

- http://www.vancouver2010.com/resources/PDFs/Poster_Chelsie.pdf

Each of the three posters in the series features a compellingimage of the athlete in the natural landscape where he or she livesand trains. The posters are trilingual, and include text in English,French and the Aboriginal language of each athlete's respectiveancestry. In conjunction with the unveiling of the poster series, theAboriginal Participation section of the vancouver2010.com website isbeing re-launched with new content. The 'Find Your Passion in Sport'poster series images can be downloaded free as wallpaper fromvancouver2010.com.

More than 20,000 posters will be distributed to Aboriginalcommunities and organizations, Aboriginal youth organizations,Friendship Centres and Aboriginal schools across Canada. The campaignis designed to inspire Aboriginal youth to explore their dreams andbecome more actively engaged in winter sport at all levels.

'To be featured in this poster campaign is an honour and somethingI would never have imagined possible,' said Team Quebec biathleteMareck Beaudoin. 'Now that I see the final result of this project, Iam reminded that sport is not only important for me as an individualathlete, but that sport and sport role models are important for allAboriginal people in Canada.'

'The Olympic and Paralympic Games are not only about athleticexcellence but also about community engagement and building a sportlegacy to benefit everyone', said the Honourable Helena Guergis,Secretary of State for Foreign Affairs and International Trade andSport. 'The young athletes featured on these posters are a symbol ofthe role that Aboriginal Peoples are playing to help reach thesegoals of the 2010 Winter Games and we are confident that they willmake their communities and Canada proud.'

VANOC is the first Organizing Committee to integrate IndigenousPeoples as official partners in the planning and hosting of a Games.Aboriginal people were asked to participate in a meaningful way toformally acknowledge the partnership with VANOC, which has set a goalof achieving, with its partners, unprecedented Aboriginalparticipation in the planning and hosting of the 2010 Winter Games.

Background on the Campaign

In 2005, VANOC and the Aboriginal Sport Circle (ASC), Canada'snational voice for Aboriginal sport, signed a Statement ofCooperation. This Statement declares the intention to work togetherto take advantage of the opportunity the 2010 Winter Games provide toinspire and encourage more Aboriginal people to participate in sportacross the country. In cooperation with the Aboriginal Sport Circle,the selection of the athletes to be featured in the posters was aprocess that took much of summer 2006. Over 60 nomination submissionswere received from across Canada.

The Aboriginal athlete poster design highlights the athletes asrole models in a style comparable to famous iconic athletes who areshowcased as strong, confident and intense in their disciplines. Thephotography style, lighting and profile of the athlete is given asimilar treatment to that found in top sport magazines featuring starathletes. The background highlights the association between eachathlete's training ground and the important connection to naturewhich continues to develop, challenge, motivate and inspire.

VANOC is proud to be working with the Lil'wat, Musqueam, Squamishand Tsleil-Waututh First Nations - known as the Four Host FirstNations - on whose traditional lands the Games will take place - aswell as other First Nations, Inuit and Me'tis groups throughoutCanada in the planning and hosting of the Games.

Using Team Portfolios in a Sport Education Season. - JOPERD--The Journal of Physical Education, Recreation & Dance

The purpose of this article is to describe an initial attempt to introduce team portfolios into a volleyball activity class for preservice physical education teachers using the 'sport education' approach (Siedentop, 1994). Melograno's (1998) suggestion that the sport education model would provide an ideal setting to implement a group portfolio provided the catalyst for this attempt. This article will (1) briefly examine some of the literature supporting portfolios as an effective assessment system for teachers and teacher educators, (2) explain how team portfolios were used in the context of sport education, (3) share the reactions of the preservice teachers to this assessment tool, and (4) offer suggestions for including team portfolios in middle school and high school physical education classes.

Why Portfolios?

A variety of traditional assessment tools are available to help physical educators evaluate students' knowledge, understanding, values, and abilities in physical education (e.g., standardized exams, motor-skill tests, fitness tests). Yet some have criticized these tools as being too artificial, too isolated from real-life settings (Safrit & Wood, 1995). Subsequently, a number of alternative assessment techniques have emerged alongside current efforts to reform curriculum and instruction. Journals, rubrics, exhibitions, portfolios, and other tools that attempt to reflect learning outcomes in more authentic situations have all caught the attention of physical educators.

While traditional within photography, modeling, or architecture, the use of portfolios within education is relatively new. According to Melograno (1998), a portfolio is 'a purposeful, integrated collection of actual exhibits and work samples showing effort, progress, or achievement in one or more areas' (p. 14). Portfolios contain numerous artifacts and examples of students' work and represent their abilities, strengths, and areas of needed improvement (Siedentop & Tannehill, 2000).

A growing literature describes various ways in which portfolios have been developed and used in physical education (Kirk, 1997; Melograno, 1998; Napper-Owen, 1997). Kirk argued that the portfolio system is effective because it fosters 'individualized learning,' documents student outcomes, 'promotes student responsibility and active learning,' 'provides feedback and continuing evaluation of student progress,' 'encourages student self-reflection,' and promotes the physical education program (pp. 29-30). Portfolios can be developed by individual students or by small groups. Through the use of portfolios, learning becomes more active as a greater proportion of the responsibility for learning is transferred to the students (Kirk). Students 'are able to showcase a collection of their best work' (to teachers, parents, and school administrators) and make decisions as to which products most accurately reflect their progress over time (Kirk, p. 30).

Sport Education and Team Portfolios

Siedentop designed the sport education model of teaching to develop 'competent, literate, and enthusiastic sportspersons' (1994, p.4). The model has enjoyed considerable success in schools (Grant, 1992; Hastie, 1998), as it helps students learn to play a specific sport well; appreciate its rules, rituals, and traditions; and become aware of its availability in the community. Sport education is characterized by six features: (1) activities are conducted in distinct seasons, (2) the composition of student teams is constant for a given season, (3) formal competition is mixed with teacher or student-led practice, (4) records and statistics are kept, (5) seasons conclude with a 'championship' event of some sort, and (6) festivity is emphasized through team colors, posters, or videotaping of games (Siedentop, 1994, 1998). These elements resemble the fundamental features of formalized sport and thus offer a complete sport experience. Participation occurs on a team basis, and all students take on non-player roles (e. g., captain, manager, statistician, umpire) that allow them to plan, implement, and evaluate their own and their team's sport experiences. Direct teaching by the physical educator, peer teaching, and cooperative work are all used in the model, and responsibility for planning and running seasons is progressively handed over to students, with the teacher eventually serving in a coaching role (Siedentop, 1998).

Within a sport education curriculum, team portfolios would allow students to demonstrate both individual and team strengths and weaknesses and would summarize their growth across each season. Specifically, portfolios could:

* tap into students' reflections about individual elements of sport education (e.g., being on a team, having a role, competing);

* allow students to make collective statements about their team philosophy and summarize their progress over time (e.g., performance, affiliation);

* help students report their competence as volleyball players;

* provide a setting for students to gather materials that help them critique the position of volleyball within the greater sport culture;

* enable students to locate teaching materials, drills, and other artifacts that they consider relevant to the development of their strategic and physical skills.

Introducing Team Portfolios

The volleyball class discussed in this article represented the preser vice teachers' first contact with sport education and portfolio development. On the first day of class, they were introduced to the sport education model and made aware of its characteristics and objectives. Portfolios were discussed also, using examples from other professions (e.g., modeling, architecture), and the class was given a list of possible artifacts to be included in their portfolios (e.g., team philosophy, uniform design, player profiles, pre- and post-season self-assessments of performance, peer assessments using checklists, attacking and defensive formations, statistics, photographs of play). So as not to stifle individual and group creativity, the preservice teachers were encouraged to consider additional materials that would reflect their progress and performance as individuals and as a team.

The Season

All of the objectives of sport education were reflected in the volleyball season, which was composed of 17 75-minute sessions. The preservice teachers were grouped into four teams. In addition to playing, team members fulfilled the following primary roles: captain, coach (assistant coach), manager/statistician, trainer, umpire, and equity officer. Each team member had an additional, non-team role such as sideline judge, back judge, timekeeper, sideline reporter, or commentator. One member of each team served as the 'portfolio manager.' Portfolio managers were responsible for:

* organizing individual duties and delegating individual responsibilities to team members in order to complete the portfolio within the assessment rubric guidelines;

* bringing the portfolio to class (or collecting it from the instructor) so that final artifacts could be included;

* maintaining the external appearance of the portfolio;

* talking to the instructor about any problems with the completion of the portfolio;

* submitting the final dossier when due.

During the course of the season, time was set aside at the end of five classes scattered evenly throughout the season for team members to meet and discuss progress on their portfolios. Each meeting lasted approximately 10 to 15 minutes, during which the portfolio managers determined progress to date and delegated responsibilities to teammates for gathering the needed items by an agreed time. Portfolio managers made efforts to ensure that all members were contributing both suggested items and additional items of choice. The instructor was available to answer any questions, monitor the progress of each team's portfolio, and meet for a few minutes with portfolio managers when class concluded.

Assessing the Team Portfolios

In keeping with authors who have previously discussed portfolio assessment formats (Kirk, 1997; Melograno, 1998), the instructor developed a rubric (Lund, 1999). Table 1 provides a sample of the criteria used to assess the team portfolios. This four-level rubric--with criteria ranging from best performance (level four) to worst (level one)--was given to each team on the first day of the course. By receiving it at the start of the course, the teams could use the rubric as a self-monitoring device for accountability. At the end of the course, the portfolios were submitted, and the instructor determined which level best fit each one. During this first effort, the whole portfolio was graded rather than individual artifacts, but it is also possible to grade the artifacts as well.

Reactions to the Team Portfolios

At the completion of the season, all of the preservice teachers were asked to set out their thoughts informally on the use of team portfolios in the volleyball class. The following is a summary of the merits and concerns that they listed.

Merits. Some of the preservice teachers saw the portfolio as an additional opportunity to work cooperatively and bond with their teammates. Others applauded the emphasis on collective responsibility and interdependency, which evolved as they worked on the assignment together. They liked the fact that their grades would be determined by the collective efforts of the group. Many of them saw portfolios as a partial reflection of the team identity that they were trying to promote on the court in order to strengthen their allegiance to each other.

A few of the preservice teachers viewed the portfolio as a summary of their team's broader understanding of the game of volleyball within the greater sport culture (e.g., knowledge of the game's history and development, variant sports such as beach volleyball, media attention, sponsorship). Others considered the portfolio to be a more authentic representation of their progress as individuals and as a team than isolated skill tests and notebooks, which they identified as characteristic of their previous activity classes.

Some of the preservice teachers applauded the opportunity to decide what might be included in the portfolios beyond the list of suggested artifacts, and they were able to make some collective decisions without the instructor's input. The inclusion of photographs and pictures enhanced individual and group creativity and played a significant part in elevating team pride in the portfolio. The self-monitoring of performance and progress was generally praised. The preservice teachers particularly enjoyed the self-assessments of skill and performance at the beginning and end of the season, which could be placed alongside the self-assessments of their peers.

Concerns. The preservice teachers identified some logistical concerns with the portfolios, indicating that they had too little time to complete the work. Some complained that the inclusion of a portfolio, in addition to the other requirements (final exam, paper, journal), was too much work for a one-credit class! A few of the preservice teachers were confused about their specific responsibilities in contributing to the completion of the portfolio, while a couple of the portfolio managers said that they found it difficult to confront team members who were doing less work than others or not contributing at all. Additionally, two portfolio managers wanted more guidance from the instructor on the organization and presentation of the portfolios.

Using Sport Education Port folios in Physical Education

Based on this first experience with sport education team portfolios, some suggestions on their use in middle school and high school physical education classes can be provided. Although the implementation experience at the college level may not entirely apply to the needs of high school and middle school classes, the following suggestions address basic administrative points. They therefore serve as an outline that teachers may, of course, adapt to suit their particular circumstances.

* Provide a clear description of team portfolios and concisely communicate both their intent and your expectations.

* Provide portfolio assessment guidelines on day one. Go through these guidelines with students and answer all questions so that the assessment policies and procedures are clearly understood.

* Include regular in-class time for students to meet and discuss their progress as a team. Be available to help each team.

* Collect portfolios at the end of each class, whether you choose to glance through them or not.

* Establish checkpoints to review each team's portfolio across a season (e.g., once per week) so as to preempt any last-minute rush to complete the work.

* Encourage portfolio managers (if you choose to use them) to develop specific tasks for individual team members depending on personal interests or talents (e.g., one student might take on the development of a skills test, another work on the logo, another browse the internet, and another write the team philosophy, chant, or rap).

* Arrange the portfolio into three sections that match the chief objectives of the sport education model (competence, literacy, and enthusiasm). This will allow you to explicitly assess a team's ability to demonstrate fulfillment of these individual objectives (as opposed to providing a general evaluation of the whole portfolio similar to that used for the preservice teachers in this article). Individual artifacts could then be selected by the teacher and/or students and subjected to evaluation using rubrics or other assessment techniques. For example, journal entries might be graded using a writing rubric (Kinchin, 2000), and video footage of skill attempts could be evaluated via teacher-developed performance standards. Students could also develop and evaluate their own team behavior profile or contract (O'Sullivan & Henninger, 2000).

* The selection of portfolio artifacts might also be summarized in table format to show the relation to the objectives of sport education (table 2). This presents a further strategy to reinforce the goals of the model.

* Look for cross-curricular opportunities for students to expand their collaborative work on the portfolios into areas such as information technology, music, and art.

* Ask that the final submission include a work summary listing which team members contributed to each element of the portfolio.

* Make the portfolios available to administrators and parents and use some as exemplars for future classes.

Conclusion

Team portfolios offer an imaginative and educational assessment tool for teachers and an exciting collective learning experience for students. While this initial effort at portfolio assessment in PETE might appear a little simplistic, such assignments can help students show specific tangible evidence of their competence, literacy, and enthusiasm while participating in physical activity. The merits identified by the preservice teachers demonstrate considerable alignment between their perceptions of and experiences with completing the team portfolios and the purposes and outcomes of sport education. Sport education's emphasis on team cohesion can be complemented by cooperative portfolio building. Students can organize their sport experiences, take control over the layout and content of their team portfolios, and decide on their own what kinds of learning they wish to demonstrate.

Gary D. Kinchin is Senior Lecturer in the School of Physical Education, Sport, and Leisure at De Montfort University, Bedford, England MK40 2BZ.

References

Grant, B. (1992). Integrating sport into the physical education curriculum in New Zealand secondary schools. Quest, 44(3), 304-316.

Hastie, P. A. (1998). Applied benefits of the sport education model. Journal of Physical Education, Recreation & Dance, 69(4), 24-26.

Kinchin, G. D. (2000). Tackling social issues in physical education class: What about journal writing? Strategies, 13(5), 22-25.

Kirk, M. (1997). Using portfolios to enhance student learning and assessment. Journal of Physical Education, Recreation & Dance, 68(7), 29-33.

Lund, J. L. (1999). Creating rubrics for physical education. Reston, VA: National Association for Sport and Physical Education.

Melograno, V. J. (1998). Professional and student portfolios for physical education. Champaign, IL: Human Kinetics.

Napper-Owen, G. (1997). Working with portfolios in the gymnasium. Strategies, 11(2), 17-21.

O'Sullivan, M., & Henninger, M. (2000). Assessing student responsibility and teamwork. Reston, VA: National Association for Sport and Physical Education.

Safrit, M. J., & Wood, T. M. (1995). Introduction to measurement in physical education and exercise science (3rd ed.). St Louis, MO: Mosby.

Siedentop, D. (1994). Sport education: Quality PE through positive sport experiences. Champaign, IL: Human Kinetics.

Siedentop, D. (1998). What is sport education and how does it work? Journal of Physical Education, Recreation & Dance, 69(4), 18-20.

Siedentop, D., & Tannehill, D. (2000). Developing teaching shills in physical education (4th ed.). Mountain View, CA: Mayfield.

                  Summary of Artifacts in Relation to the                       Objectives of Sport EducationArtifact           Competence Literacy EnthusiasmSelf-Assessmentof Performance         XRules Test                       XFair-Play Awards                           XPeer Skills Test       XRole Evaluation                  XActivity Log/Diary                         X

Volleyball Team Portfolio Rubric

Level 4

* Typed title page includes team name, drawn logo, team shirt design, names of players, class title.

* Typed table of contents is neatly presented, easy to follow, and accurate.

* Typed team philosophy is detailed, creative, and personal.

* Player profiles are written by individual team members and include personal strength analyses and details of their improvements across the season.

* A minimum of four additional portfolio items are included that are not on the suggested list of artifacts.

* One journal entry and one diary entry for each team member is included with an attached explanation of their significance written by the individuals.

Level 3

* Title page: missing two required elements

* Table of contents: included, but has a few inaccuracies and is difficult to follow

* Team philosophy: included with general rather than specific information

* Player profiles: written by individuals, but lack specific information about their strengths, and analysis of performance across the season is limited

* Two additional portfolio items included

* A journal entry and diary entry from each team member is included, but no explanations are attached

Level 2

* Title page: missing four or five required elements

* Table of contents: hand-written, with many inaccuracies and inconsistencies

* Team philosophy: limited in detail, brief

* Player profiles: simply a list of individuals, with no strength analysis or evaluation of performance across the season

* No additional portfolio items included

* Few journal and diary entries included and not representative of the whole team; no explanations of these artifacts included

Level 1

WHIT BAZEMORE'S RIDE ON EDGE PUTS HIM NEAR TOP OF SPORT - The Buffalo News (Buffalo, NY)

'When you are driving them, you are barely in control. You areon the edge all the time, and that's exciting.'

That's the way Whit Bazemore, a top Nitro Funny Car competitor,describes his sport.

Bazemore, who competes in both the International Hot RodAssociation (IHRA) and the National Hot Rod Association (NHRA),will be at New York International Raceway Park in Leicester thisweekend for the IHRA's NAPA Auto Parts Empire Nationals.

'I loved racing cars since day one,' said the 29-year-olddriver. 'I actually was born in New York City and moved with myfamily to Greenville, N.C., when I was 4. My dad took me then toRoad Atlanta to watch the races. I was hooked and it was in myblood.'

But it was photography that let Bazemore make his initial markin the business world and opened the door to his drag racing career.

'When I was in 11th grade, the R.J. Reynolds Corp. hired me togo out to Pomona, Calif., and shoot the NHRA Winternationals.Imagine now being in high school and being flown to California tophotograph for a huge corporation.'

Bazemore's photography career took off and in his early 20s hehad a successful photography business shooting for top magazinesand company ad campaigns.

'I was making a comfortable and decent living and as I expandedI lost track of racing for awhile.'

Yet the urge to race lurked inside of Bazemore.

'I had a desire to drive, but people who knew me said theythought I couldn't do it,' he recalled.

But after some Barber Formula Ford Sports Car racing, Bazemorewent to the Frank Hawley School of Drag Racing in 1985 at age 23.Later he started racing Alcohol Funny Cars.

'Through my photography, I had met the people in drag racingwho make things happen,' said Bazemore. 'I had to do muchfancy-talking and got a small sponsorship for my Alcohol Funny Car.'

In 1988, he started racing Nitro Funny Cars for Gary Evans(still Bazemore's crew chief) and in late 1989 they formedBazemore-Evans Racing.

'The first race that Gary and I ever went to, the 1988 IHRAWorld Finals in Norwalk, Ohio, we had $30 and a credit card.'

A Nitro Funny car features an enclosed fiberglass body, a4,000-horsepower, 500 cubic-inch engine and burns nitromethane, at12 gallons per run, that is often 90 percent nitro.

'We hit speeds on the quarter-mile strip of over 270 mph in alittle over five seconds if things are right.'

Things have gone right for Bazemore recently. He made an IHRAfinal at the Spring Nationals in Bristol, Tenn., and the final ofthe NHRA Mid-South Nationals in Memphis, Tenn. Bazemore is secondin IHRA and sixth in NHRA national event points.

In the spotlight.(Sports) - Albany Times Union (Albany, NY)

Senior Nate Gagnon of Wilton (South Glens Falls High) is a two-sport standout at the State University of New York College at Cortland. A transfer from the University of Maine, the 6-foot, 205-pounder, plays baseball in the spring (he hit .285 with five home runs and 25 RBI last year as a junior) and hockey in the winter. He had two assists in a 7-3 loss to the State University College at Fredonia last Saturday night to become the eighth player in Cortland history to better 100 points for his career. He has 44 goals and 57 assists.

You started out at the University of Maine. What made you switch to Cortland and are you happy with your decision?

It's one thing to say that you fulfilled a dream by playing hockey at a big-time Division I school like Maine, but you also have to be able to realize that it might not be the place for you. I would have been more of a role player at Maine, which is fine for some individuals. However, I also realized how much I missed baseball. I was unable to play both sports at Maine due to the length of the hockey season so I considered my options and picked Cortland, more so for the fact that their baseball team is a national contender each year. As for my decision, I am extremely happy where I am now and I wouldn't change a thing.

You play both hockey and baseball in college. What is your favorite sport?

This is the question that I get asked on a daily basis and all I can tell people is that whatever sport I am currently participating in at the time is my favorite. As hockey season is coming to a close I get excited for baseball and when baseball is coming to a close I get excited for hockey again. It's a constant cycle that I really enjoy.

Getting in shape for both sports must be different. What do you do to prepare for baseball? Hockey?

The only time that I run into trouble is during the summer when I play baseball but have to prepare for the start of the hockey season. Hockey focuses on the lower body, such as building up your legs, while baseball focuses more on all around training with less amount of weight being lifted. I also try and lose about ten pounds from the end of the hockey season to the beginning of the baseball season, which is only a few weeks, because I like being heavier for hockey because of the physical play. But that's more of a challenge that I put on myself rather than looking at it as a hassle.

You've been successful in both sports. Did you set any goals coming into your final season?

You always have personal goals in anything thing you do, but it's better to remain focused on team goals. I have had the pleasure of being surrounded by good players in both sports here at Cortland and that has certainly helped me achieve personal success. As for my last year here, I want to continue to improve from my junior year and then I can look back at my career and see where I stand. I'm approaching some career scoring records in hockey right now and I'm in the top ten of multiple baseball records.

Did going to South Glens Falls High prepare you for life in college?

It sure did. We were one of the few high schools that I knew of that required student-athletes to hold a certain GPA in order to participate in sports. The same expectations hold true here at college which was an adjustment that I didn't have to make, unlike some of my teammates.

Do you have any thoughts about playing pro baseball or pro hockey?

Yes. As of right now I would say I have a better shot in hockey. Baseball is a sport that develops young players in their farm systems, some as young as 18, which would work against me since I am already 24. Hockey,on the other hand. is a sport in which it is almost better to be older and physically mature entering the pros. There are numerous professional leagues across the country, not to mention a pro team not to far from my house in Glens Falls.

What is your major? After your playing days, what do you hope to turn to down the road?

I am studying Sport Management. As for when I'm done playing, I would like to work for a professional team, in any sport, in their marketing department. I like the idea of promoting players and the organization in which they play for to the public and potential fans.

- Bill Arsenault

Special to the Times Union

CAPTION(S):

Continuing education: Beef 'O' Brady's new ads teach consumers about what a family sports pub is.(pubs concentration towards kids and families) - Chain Leader

If you aren't already familiar with Beef 'O' Brady's, you likely have no idea what the concept is. Irish pub? Steakhouse? Funny fictional moniker?

'Our name does not tell people what we are. They think we are a sports bar,' concedes Nick Vojnovic, president of the 21-year-old concept's parent company, Family Sports Concepts Inc. The chain is a family sports pub, which is a casual-dining-type joint with TVs and liquor licenses, but the emphasis is on kids and families rather than scores and draughts. 'It's like when the SUV was introduced,' Vojnovic says. 'It was a new niche to the market.'

Over the years, the Tampa, Fla.-based company has worked to help diners appreciate its uniqueness through home-grown advertising and local marketing. Last fall management, with the help of Tampa-based ad agency Hardee Group, came up with a campaign that explains the concept of a family sports pub with higher-end production values and something else: food shots. Strange as it may seem, the newest ad campaign for Beef 'O' Brady's is the first featuring food photography in its two-decade history.

This is not the first advertising switch the company has made. The first ad shift was after Family Sports Concepts took over the chain seven years ago. 'When we came on board, we had a hokey little neighborhood thing,' Vojnovic says.

'In 1999 it was just me, 35 stores and no outsourced [ad agency] help,' agrees Vice President of Marketing Ken Hall.

From the Top

Using in-house resources Hall created a campaign featuring company founder Jim Mellody looking straight into the camera and explaining the void the chain filled in the marketplace. The spots were not high-end, but that Dave Thomas effect ushered in a 'sales spike immediately,' Vojnovic remembers, estimating that sales increased 10 percent annually with Mellody's testimonial ads.

After Sept. 11, 2001, changed the dining landscape and Mellody passed away in 2002, Hall and his team regrouped. They launched more sophisticated, edgy and humorous spots that assumed that everyone knew what Beef's (as its fans call it) was.

'We were getting ahead of ourselves,' Vojnovic says. 'We dropped off when we tried to be clever and funny.' Same-stores sales were flat, while TV watchers were entertained rather than educated.

While some restaurant regulars have a remarkable frequency of dining at Beef's four times per week, the $180 million chain also found that in Tampa, its hometown, consumers as close as 3 miles to its flagship unit had never heard of the brand. So the new spots needed to appeal to new diners, lapsed users and the occasional visitor.

The chain's franchisee advisory council urged management to include a consumer-education piece in its next ad campaign. The current spots answer the question, 'What is a family sports pub?'

Not Going for Laughs

Debuting last September, the new 15-and 30-second commercials target both new and loyal customers. They feature Girl Scouts, Little Leaguers, gymnasts and others celebrating childhood events at Beef 'O' Brady's, interspersed with food photography, and they end with the tagline 'See you at Beef's.'

Moving back to its core message has been an investment that has paid off. While the total ad budget was just $500,000 in the Mellody days and $100,000 in the early 2000s, today it is close to $4 million. Since 2004 average unit volume has increased from $640,000 to $1 million. Vojnovic attributes approximately one-third of that increase to the new ad efforts.

Hall is charged with keeping the 'What is a Family Sports Pub?' campaign fresh. The Hardee Group has been helping the chain develop four or five different versions annually, but much of the creative work is still done in-house.

The 2006 flight is likely to show Beef 'O' Brady's out in the community, as a large part of its marketing includes local outreach, such as to schools and community groups. The chain spends $1.6 million on local marketing, in addition to the $4 million it spends on traditional advertising.

As Beef's fills in existing markets instead of expanding into new states over the next five years, Hall has worked to improve those local marketing materials, as well as the menu and the Web site, without diluting the hometown message.

'There aren't that many restaurants that really welcome kids like we do. There's Chuck E. Cheese's, but that gives parents a headache,' Vojnovic adds. 'Beef's is like a big family room at your house.'

'Victories II' Length: 30 seconds

1. Voice-over: Life is full of victories.

2. They come in all shapes and sizes.

3. Where can family and friends go to celebrate them all?

4. There's no better place for good times ...

5. good sports ...

6. and great food ...

7. than your neighborhood Beef 'O' Brady's.

8. See you at Beef's.

SNAPSHOT

CONCEPT Beef 'O' Brady's Family Sports Pub

PARENT COMPANY Family Sports Concepts Inc., Tampa, Fla.

UNITS 190

2005 SYSTEMWIDE SALES $180 million

2006 SYSTEMWIDE SALES $230 million (company estimate)

AVERAGE CHECK $10

AVERAGE UNIT VOLUME $1 million

2005 AD BUDGET $4 million

AD AGENCY Hardee Group, Tampa, Fla.

вторник, 18 сентября 2012 г.

ARTIST-ATHLETES: STUDENTS BALANCE ACADEMICS AND SPORTS FOR 2 SCHOOLS - The Columbian (Vancouver, WA)

Swimming is an individual sport, but Joseph Kelly does not swimalone.

He brings his music with him.

'In a long swim race, I'll be playing a symphony in my head,'Kelly said.

When Claire Sakurada runs cross country, she knows she can do it,even when her legs get tired.

She knows she has the discipline to tackle a running course,because she uses the same discipline to stick to the lesson planwith her bassoon or viola.

And once Caitlin Smith catches the bug for something, that'susually all she wants to do.

Right now, her things are soccer and photography.

These three athletes are part of the handful of athletes whoattend the Vancouver School of Arts and Academics at 31st and Main,then compete for other high schools in their respective sports.

Kelly, a senior, made it to the state swim meet in Federal Waythis year, representing Hudson's Bay High School.

Smith, also a senior, scored a game-winning goal last fall tohelp Hudson's Bay to a soccer victory.

And Sakurada, a freshman, gave it her all for the Mountain ViewThunder in cross country.

The three of them, as well as the half-dozen or so other highschool athletes at the art school choose to work a little bit harderfor the chance to play high school sports.

Sure, they get out of school early to attend practices or travelto road contests, but they aren't given a free pass.

'Our students learn academics in the morning and focus on theirart in the afternoon,' associate principal Scott Barnes said.

School goes until 4 p.m. most afternoons, but athletes usuallyleave campus around 2:30 p.m.

'Athletes must apply for early release during their sportsseason, and they must make up the work for the course they aremissing,' Barnes said.

Smith, for instance, is missing an art class. So at home, shedrew, worked on some sketches and finished a soap-stone sculpture.

'I'd show my teacher so he'd know I was doing something,' shesaid. 'I enjoyed doing it because I'm fine with working on my own.If I want to do something I like, I'm willing to make a sacrifice todo it.'

The school for the arts is open for grades 6 through 12, andstudents can choose to study from six different art forms: visualarts, music, literary arts, moving image arts, dance and theatre.

With that, there is no room for athletic teams, Barnes said.

There are options for those who are gifted both artistically andathletically and who want to focus on art during the day and playsports in the afternoon.

'Those are my two loves,' Kelly said of the violin and swimming.'There's no way I could give one of them up. I decided to focus onboth.'

He stayed focused enough, in fact, to obtain a 3.9 grade-pointaverage during the last grading period.

He also peaked at the perfect time in swimming. After winning thedistrict title in the 100-yard backstroke this year, Kelly had twopersonal-best times in the event at state, where he finished 13th,four spots better than where he qualified.

Smith's soccer highlight came when her goal beat Mountain View inthe fall. It was Bay's last win of the season.

'It was so big for me. My coach gave me the biggest hug,' Smithsaid.

Smith's final year of high school soccer was memorable.

'We had the funniest times at practices,' she said. 'It was funon the field, win or lose. I wish I could play with them every day.'

That doesn't mean Smith would have rather attended Hudson's Bay.She feels right at home at the art school.

'This school is so friendly. I'd never want to go to a differenthigh school,' Smith said.

Sakurada, however, admits that there are times when she wishesshe had gone to a school with an athletic program.

But there is no doubt where her priorities are today. She spentthe fall getting out of school early for cross country. And althoughshe said Mountain View coaches were hoping she would run track thisspring, Sakurada decided to concentrate on her music.

She said she will return to the Thunder for cross country, butshe didn't want to miss her last course of the day this spring.

Perhaps the most inspirational aspect of the Vancouver School ofArts and Academics is prospective students must apply to beaccepted. In other words, they want to be there.

But their lives are not only centered around their arts. Somelike playing sports.

Joseph Kelly, Caitlin Smith and Claire Sakurada prove that theycan do both, provided they are willing to work a little harder.

JOSEPH KELLY

* ART: Violin.

* SPORT: Swimming for Hudson's Bay High School.

* QUOTEWORTHY: 'I think it's great to have the best of twoworlds. Playing in an awesome orchestra and being able to swim forHudson's Bay is a really great experience.'

CAITLIN SMITH

* ART: Photography.

* SPORT: Soccer for Hudson's Bay High School.

* QUOTEWORTHY: 'If I want to do something I like, I'm willing tomake a sacrifice to do it.'

CLAIRE SAKURADA

* ART: Viola and bassoon.

* SPORT: Cross country for Mountain View High School.

Real page-turners; Recently published books on sports - many stocked with historic photos - could be worthy of your gift list.(SPORTS) - Star Tribune (Minneapolis, MN)

Byline: Bud Armstrong; Staff Writer

RSEC: +

If you're still scratching your head about what to get the sports fan on your Christmas list, don't panic. There are no guarantees, of course, but here are a number of books that might fill your needs.

Photography

One of the most impressive gift books this season is more than just a sports book. 'The Best of Leifer,' introduction by George Plimpton (Abbeville Press, 256 pages, $75) offers a selection of the work of Neil Leifer, one of the greatest photographers - sports or otherwise - of our time. He's photographed popes and princesses, presidents and prisoners. But it's as a sports photographer that we know him best. He worked for Sports Illustrated for 18 years beginning in 1960 and produced 160 covers for the magazine. The book's cover photo - Muhammad Ali standing over a fallen Sonny Liston in their 1965 fight - might be the most famous photo of Ali ever taken.

Leifer covered World Cups, World Series, the Winter and Summer Olympics, Final Fours, Triple Crown races, Super Bowls. The first 157 pages are devoted to his sports photography.

'Game Face: What Does a Female Athlete Look Like?' by Jane Gottesman (Random House, 223 pages, $35) records the enormous advances women have made in sports this century, especially since the passage of Title IX in 1972. The book was published to accompany an exhibition at the Smithsonian Institution in Washington that will travel around the country for the next five years. Everyday girls and women are covered, as well as some of the icons - Wilma Rudolph, Brandi Chastain, Janet Evans, Kathy Switzer - of women's sports.

Basketball

'At the Buzzer! Havlicek steals, Erving soars, Magic deals, Michael scores: The Greatest Moments in NBA History,' by Bryan Burwell (Doubleday, 216 pages, $50), is a multimedia collection of NBA highlights. Two compact discs, narrated by Bill Walton, of radio broadcasts of significant events in the league's history accompany the photographic record of each event. Among them are Wilt Chamberlain's 100-point games in 1962, Michael Jordan's change-of-direction layup in the 1991 finals, Julius Erving's eye-popping baseline, under-the-basket layup in the 1980 finals, and Teresa Weatherspoon's 50-foot buzzer beater in Game 2 of the 1999 WNBA Finals.

The Timberwolves' Kevin Garnett contributes a foreword.

'Hardwood Heroes: Celebrating a Century of Minnesota Basketball,' by Ross Bernstein (Nodding Press, 216 pages, $24.95), records basketball around the state on every level, from high school and small college through the NBA and WNBA. Bernstein now has a book on every major sport in Minnesota and follows the same recipe for each one. He packs them with hundreds of team and individual period photographs, brief essays and statistical charts.

Golf

'How I Play Golf,' by Tiger Woods (Warner Books, 306 pages, $34.95), is a handsome, beautifully illustrated guide to the game by the man who has captured our imagination since he first appeared on the scene as a teenager. With the help of the editors of Golf Digest, Woods offers instructions on grip, stance, swing, iron play, spin trajectory ... every facet of the game.

Baseball

'The New Bill James Historical Baseball Abstract' (The Free Press, 998 pages, $45) is a completely revised version of the original published 15 years ago. It's so many things under one cover and so comprehensive one hardly knows where to begin. James is to baseball what Robert Parker is to wine - authority.

His book, first of all, is a history, covering each decade, from the 1870s through the 1990s. Each decade includes highlights listing such esoteria as ugliest player, heaviest player, worst hitting pitcher, drinking men, and best unrecognized player. But it's James' player ratings, the top 100 by position and the top 100 of all time, plus a new statistic called 'win shares' to rate individual performance, that will create the most conversation.

Consider this: James rates Barry Bonds the third-best left fielder of all time and calls him the most unappreciated superstar of his time. Oscar Charleston, a Negro League player, is rated the fourth-best player of all time. George Sisler doesn't make the top 100; neither does Nolan Ryan.

James is fascinating even if you don't agree with him.

Dick Raphael, 68; captured iconic sports images - The Boston Globe (Boston, MA)

Perched courtside behind the net on his ever-present stool, DickRaphael had the best seat in Boston Garden to shoot photos of BillRussell and Wilt Chamberlain, the towering centers whose rivalry inthe 1960s became legendary in NBA history.

'Being down on the court gave me a true feel for how big theseplayers were, especially Wilt, who was 7-foot-1 and close to 300pounds,' Mr. Raphael said in a 2005 interview with the Celtic Nationwebsite. 'So it quickly struck me that these men were giants in avery literal sense.'

Mr. Raphael, whose iconic photo of Boston Celtic great Russelldeflecting a shot by Chamberlain was his personal favorite and anenduring image of professional basketball, died Saturday in theMarblehead house where he lived his entire life. He was 68 and hadbecome ill Friday before collapsing at home the next evening.

'You can't exaggerate his status as a world-class photographer,'said Bob Ryan, a Globe sports columnist who collaborated with Mr.Raphael on a book about the Celtics. The photographer's collection ofprints and negatives, Ryan said, 'has got to be the most valuabletreasure trove of Boston sports photos ever taken.'

Opening an exhibit in 2001 made up entirely of Mr. Raphael'sphotos, the Basketball Hall of Fame called him 'the dean of Bostonsports photographers and one of the premier photographers in theUnited States.'

Mr. Raphael was among only a handful of professional photographersto capture images of every Super Bowl and was in Miami earlier thismonth for the 41st - the first played in pouring rain.

'He joked on the way back - we left at halftime because it was sowet - that he's now been to 40 and a half Super Bowls,' said hislongtime friend, Alan Belinfante of Marblehead, Mr. Raphael'sassistant for 11 of the title games.

Publishing his photos widely, including in the Globe and on coversfor Sports Illustrated magazine, Mr. Raphael captured theprofessional lives of many Boston sports legends from the moment theystepped onto a basketball court, a football field, a baseballdiamond, or a hockey rink, until their numbers were retired.

His lens was hardly confined to marquee sports, however. As hetold the Globe in 1997, he had photographed 'every sport you canthink of, including lacrosse, field hockey, rugby, crew, soccer, Ping-Pong, squash, indoor and outdoor track and cross-country, sailing,golf, and others.'

To get great photographs, he often said, a photographer must be astudent of sports to develop a sense of where to stand at the keymoment to get 'the money shot.' Also, he said, photographers shouldbe straight-shooters in the literal and figurative sense.

'Be honest with people,' Mr. Raphael said in the Celtic Nationinterview with Michael D. McClellan. 'Always tell the truth.'

Richard Raphael grew up in Marblehead and was introduced tophotography by his father, who had built a darkroom in theirbasement.

'He was more than a father, he was a mentor and a friend,' Mr.Raphael told the Globe. 'I'm doing what I'm doing - and loving it -because of him. He got me started, and I've been at it since.'

His first professional publication came while he was in eighthgrade. Shot with a Brownie Hawkeye, the photo from Marblehead RaceWeek ran in the Marblehead Messenger.

He graduated from Marblehead High School and Boston University,where he studied chemistry and began a long association with collegesports, becoming photo editor at Boston University News. Whileworking there, he went to the Celtics' public relations director andtalked his way into shooting photos on a freelance basis, beginning along association with the team, from the Russell era to the LarryBird era.

For years he photographed every home game of the Boston Patriots,before the team became the New England Patriots. Weekends often werea blur.

'He would shoot Harvard football on Saturday afternoon,' saidMeralee Whitman, Mr. Raphael's companion of 31 years. 'He would goback to his office and make proof sheets, drive over to Harvard anddrop them off, then he would drive to my apartment in the North End,and I would make him dinner and make him watch `The Love Boat.' Thenon Sunday morning, he would get up, shower, shave, and leave to goshoot the Patriots.'

'The Love Boat' aside, Mr. Raphael's TV hours were principallydevoted to sports. For him, it was work and pleasure as he studiedplayers to see how their movements telegraphed plays in advance so hewould know where to position himself at games.

'He always seemed to be in the right place at the right time,'Belinfante said. 'You wouldn't even see him move. I'd turn around,and he'd be gone - down at the other end zone and there for the bestshot.'

'He was a very lucky guy, because he did amazing things,' Whitmansaid. 'Photography was a hobby that became a vocation.'

In addition to Whitman, Mr. Raphael leaves his brother, Michael ofWindsor, Conn.

Comcast SportsNet Sports Awards dinner raises $720,000 - Glenview Announcements (IL)

The 24th annual Comcast SportsNet Sports Awards, held Feb. 13, at the Sheraton Chicago Hotel & Towers, raised more than $720,000 for the March of Dimes — a new record for the sports soiree.

Athletes including Bulls power forward Carlos Boozer, Cubs reliever Kerry Wood, Fire defenseman Logan Pause and Bears wide receiver Earl Bennett were honored before a sold-out crowd of more than 1,300 guests.

The evening began with cocktails, as partygoers scrambled to get their photos taken with their athletic idols. Honorees happily obliged as they signed memorabilia and smiled for the cameras.

Other sports stars seen mingling with fans included Blackhawks legend Tony Esposito, former Bulls center and current CSN Chicago analyst Stacey King and White Sox great Minnie Minoso.

Guests enjoyed a quick dinner of grilled filet of beef before plates were cleared and cameras began rolling for the live telecast of the program on Comcast SportsNet. Steve Dahl made an affable emcee, beginning the show with a hilarious video of him and Esposito on the ice, with the retired goalie struggling to teach him the basics of the game—and keep him on his feet.

White Sox shortstop Alexei Ramirez and Blackhawks goalie Corey Crawford also were recognized but were unable to attend.

Ramirez was tending to a family emergency, while Crawford was traveling to Nashville for a game.

Both taped video acceptance speeches and heartily thanked their family, friends and fans for their support.

One very special award was given to 16-year-old Tywaun Crain, a high school sophomore and wheelchair basketball star who was born with cerebral palsy yet still manages to excel in both sports and school.

Crain was awarded the "Inspirational Athlete" prize while his family, including his 8-year-old brother David, looked on with pride.

The get-together attracted not just sports stars and their fans but politicos including City Treasurer Stephanie Neely and business bigwigs including Comcast SportsNet CEO Jim Corno and Navistar CEO Dan Ustain, who also acted as chairman for the event.

The accreditation edge: new SPAA program enables photographers to differentiate themselves.(Connections)(Sports Photographers Association of America) - PMA Magazine - Connecting the Imaging Communities

Photographers looking to set themselves apart from their competition have a new edge--the SPAA accreditation program. The newly launched program for the Sports Photographers Association of America gives photographers a way to establish credibility for their businesses and a level of professionalism.

Taking the time to become accredited enables photographers to:

* Show proven credibility and professionalism.

* Save clients time by providing quick access to accreditation status association.

The program, which launched last fall, resulted from the SPAA committee meeting in June 2007 at the PMA headquarters in Jackson, Mich. Members wanted a program that would enhance their credibility and set them apart from the competition.

Also attending that meeting was John Johnson, the communications director of the Michigan High School Athletic Association (MHSAA), East Lansing, Mich. Johnson provided SPAA members with the perspective of the athletic directors and school administrators. He explained it is becoming more common for schools to have a higher standard for people working with their students.

Commenting in a recent interview, Johnson states: 'With the boom in DSLR photography, lots of people are grabbing entry-level kits and touting themselves as the premier youth sports photographer in their communities. Yet, they lack the credentials as trained photography professionals--and even business professionals--making it hard for school administrators to sort out the pros from the wannabees.

'Schools need to know who they're letting on their sidelines to take pictures,' Johnson adds. 'They need to know their photographers are professional in their work and their ethics. Digital technology has turned some portions of the photography industry into the Wild, Wild West. Membership in associations like SPAA and accreditation will help our youth sports programs have confidence in selecting a photographer.'

With the accreditation, all the information provided from the photographer is housed at PMA. If a school would like to check on the photographer, the administrator would call PMA for the references and background information.

Taking the next step

Applying for SPAA accreditation is a straightforward process. Photographers submit an application, the results of a felony background check provided by Absolute Background Search or another third party, proof of professional liability insurance, three businesses references, and a copy of the business license and/or Federal Tax ID. The annual fee for members is $50 and $125 for non-members.

PMA provides a link to Irving, Texas-based Absolute Background Search to assist photographers who might not know where to go for a service, but photographers can use another background service if they prefer. Absolute Background Search offers criminal county searches covering felony and misdemeanor records, and it typically takes 1 day to 3 days. Price varies according to state, although in many states it is $13 or less. Pricing details and other information is available at www.absolutebackgroundsearch.com.

The background check offers schools and youth groups peace of mind. The references, insurance information, and business license also assure them the photographer operates a legitimate, viable business.

Once accredited, photographers will receive laminated cards. The accreditation also serves as a marketing tool to help photographers differentiate themselves from other businesses.

For more information, contact PMA at (517) 788-8100, or visit www.pmai.org/spaa. Details will also be available at the PMA booth at PMA 08, coming up this month at the Las Vegas Convention Center in Las Vegas, Nev.

SPAA holds first photo competition

Some members of the Sports Photographers Association of America (SPAA) will be able to add 'winner' to their resume. New this year is the SPAA Photo Competition, which recognizes sports photography talent in several categories.

'This competition came directly from the committee meetings we held this summer,' says Tom Crawford, corporate communications executive for PMA, Jackson, Mich. 'As we head into our second annual SPAA conference, members wonted another way to establish their credibility for customers. It also provides o marketing advantage if a photographer can show groups they are a competition winner.'

Photographers can demonstrate their strengths in many areas, as the competition features five categories:

1. Individual Posed

2. Team Posed

3. Action--Indoor

4. Action--Outdoor

5. Digitally Constructed Photographic Image

Photographers have already submitted their entries, as the deadline was Dec. 14. All images had to be executed and owned by the photographer, and each photographer could submit up to five entries. Attendees at PMA 08, held Jan. 31-Feb. 2, at the Las Vegas Convention Center, Las Vegas, Nev., will be able to view the top images. Three winning photographs from each category will be on display at PMA 08, Level 2, in the foyer by the SPAA conference rooms. The images also will be posted on the SPAA website at www.pmai.org/spaa, and published in various PMA publications.

Any professional photographer actively involved in the sports photography industry was able to enter the competition.

[ILLUSTRATION OMITTED]

Serving as judges this year are two representatives from Sports Illustrated magazine, along with two additional industry experts. Judges met prior to PMA 08 to review the images and select the winners. Although they have not yet been announced, prizes will be available from sponsors.

Winners will be announced on Jan. 31 at the SPAA luncheon.

PSPA accreditation

PHOTO LAY; The Minneapolis Institute of Arts throws a change-up with 'The Sports Show.'.(VARIETY) - Star Tribune (Minneapolis, MN)

Byline: Reviewed MASON RIDDLE

Special to the Star Tribune

Art and sports are not such strange bedfellows. In fact, as 'The Sports Show' proves, they sleep together rather nicely.

Opening Sunday at the Minneapolis Institute of Arts, this expansive exhibition showcases images of sports moments great and small, while investigating the role of the camera and media in transforming sports from a Sunday afternoon activity into a daily, worldwide phenomenon.

'The power of the sports image is not just its singular presence, but that it can be distributed globally and across time,' said the show's organizer, David Little, curator of photography and new media at the museum, and a seasoned sports aficionado. 'Images are absolutely vital to our understanding of sports today. The camera is the ideal partner.'

One has only to think of the difference in tempo and reach between the first documented Olympiad in 776 B.C. and the 2012 Super Bowl to realize the camera lens is a complicit player in sports. After all, the defining play of the Giants-Patriots contest was decided by video.

'The Sports Show' reaches beyond the competition, however, to reflect on the culture at large. The exhibit features more than 100 images, going back to an 1883 shot by Thomas Eakins of naked youths at a swimming hole, a study for one of the artist's famous paintings.

Many of photography's big names are here: Henri Cartier-Bresson, Alfred Stieglitz, Jacques Henri Lartigue and Diane Arbus, to name a few. But Frank Lloyd Wright? Yes, there's an image he took of a girls' gym class in 1900. Stanley Kubrick of '2001: A Space Odyssey' fame? Yes, as a young photojournalist, he shot boxer Rocky Graziano for a magazine spread.

There are iconic portraits, such as Richard Avedon's stunning 1963 portrait of a high-school-aged Kareem Abdul Jabbar (recently acquired by the museum), an Andy Warhol series on Wayne Gretsky and Annie Leibovitz's inspired 1988 image of a shirtless, barrel-chested Kirby Puckett.

The aesthetics can be just as seductive as the subjects. Levin Levinstein's 'Handball Players, Lower East Side, NY' is a mesmerizing study in abstraction. Gjon Mili's 1941 study of Red Sox slugger Ted Williams is a latter-day continuation of Eadweard Muybridge's 1887 'Animal Locomotion' studies (on view here, too).

Perhaps most exceptional is Mili's 1939 image of high jumper Clarke Mallery. In the upper third of the image, a completely horizontal Mallery clears the pole, leaving the lower two-thirds negative space, only sky.

Playing politics

The show thoughtfully addresses race and politics, too. On the obverse of a widely circulated 1947 press image is taped 'Jackie Robinson being congratulated ... after it was announced that the Brooklyn club had purchased the Negro from its farm team.' Purchased? Did they say that about Babe Ruth when he left the Red Sox for the Yankees?

Also riveting are Leni Riefenstahl's photographs of athletes from the 1936 Berlin Olympics, including Jesse Owens, the black gold medalist who was snubbed by German Chancellor Adolf Hitler. Her revolutionary film 'Olympia' premiered on Hitler's birthday in 1938; her portrait of the dictator is a chilling reminder that sports can be propaganda.

The role of the fan is explored in a two-gallery, sound-video installation making its U.S. debut. Paul Pfeiffer's 'The Saints' is based on a 1966 World Cup match between Germany and Great Britain where nationalism takes the upper hand. The sound -- recreated by a crowd of Filipino fans -- is deafening.

'Zidane: 21st Century Portrait,' a split-screen film installation by Douglas Gordon and Philippe Parreno, underscores the notions of icon and spectacle in sports by focusing 17 cameras on French soccer star Zinedine Zidane at a 2005 match. It is not only a portrait of a charismatic star, but also of the crowd, the smell, the noise and memory.

Fans should enjoy 'The Sports Show,' but even those who hate overpaid athletes, stadium debates and Super Bowl commercials will find plenty to chew on. It is conceptually complex, visually compelling and makes a convincing argument that sports competition is indeed part of the human -- and artist -- genome.

THE SPORTS SHOW

When: Opens Sun., ends May 13. 11 a.m.-5 p.m. Sun.; 10 a.m.-5 p.m. Tue.-Wed. Fri.-Sat.; 10 a.m.-9 p.m. Thu.

Where: Minneapolis Institute of Arts, 2400 3rd Av. S., Mpls.

Tickets: $8. 612-642-2787 or www.artsmia.org.

Book: The University of Minnesota Press has published 'The Sports Show: Athletics as Image and Spectacle,' 304 pages, $50.

THE SPORTS SHOW: MINNESOTA

Opens Sunday: Our statehood as defined by sports is beautifully fleshed out in this companion exhibit co-curated by acclaimed Minnesota photographer Tom Arndt. Beginning with images from the late 19th century, sections are dedicated to baseball, football, basketball and hockey, with sports such as roller derby thrown in for cheering rights. One killer image shows legendary golfer Bobby Jones sinking a long putt to win the 1930 U.S. Open at Interlachen in Edina. Of note are compelling, large-scale color portrait pairings of well-known athletes by Twin Cities photographer Katherine Turczan. (Sun. through Sept. 2, Minneapolis Institute of Arts, 2400 3rd Av. S., Mpls. Free.)

PREP PROFILE.(SPORTS)(PREP PROFILE)(Column) - The Capital Times

Zeke Hellenbrand

School: Middleton.

Year: senior.

Sports: football, swimming.

Fast Facts: A three-time letterwinner in swimming, Hellenbrand competes in the 200 freestyle and 100 breaststroke. A two-time captain, he also was a member of the Cardinals' WIAA Division 1 state runner-up team as a sophomore. As a junior, Hellenbrand swam on Middleton's 400 freestyle relay that placed eighth at state. He also was 16th in the 100 breaststroke and 20th in the 200 freestyle. A two-time letterwinner in football, Hellenbrand started at cornerback for the Cardinals, who advanced to the third round of the Division 1 state playoffs. He also played baseball as a freshman, earning playing time at second base and in the outfield.

Cumulative grade-point average: 3.63.

Favorite subject: Physics.

Quick quote: 'Competing in sports has taught me about responsibility and time management.'

Three words to describe me are: athletic, musical, intelligent.

How I got started in sports: I started playing tee-ball when I was 6 years old, swimming when I was 9 and playing football in fifth grade.

My most memorable moment in high school was: our boys swimming team finishing second at state my sophomore year.

I enjoy high school sports because: of the friendships I've made.

I enjoy swimming because: of the competition and how good you feel after surviving a tough workout.

Advice: Learn how to manage your time and energy.

My role models are: David Mazur, who was our team captain my sophomore year, and my parents, John and Karen Hellenbrand.

Favorite movie: Top Gun.

Favorite TV show: Modern Marvels on The History Channel.

Favorite food: Pizza, steak.

Favorite sport to watch on TV: Football.

My favorite place to visit: Our cabin near Rhinelander.

I want to visit: Spain.

I listen to: The Dave Matthews Band.

I couldn't live without: My guitars.

This and that: Member of the National Honor Society...has earned an Academic Letter for excellence in the classroom...finished third in the 100 and 200 breaststroke at the United States Swimming state meet as a freshman...plays the guitar for church group at St. Luke's in Middleton...hobbies include playing the acoustic and electric guitar, fishing and downhill skiing.

Post-high school plans: attend college to study engineering or physics and swim.

Career: Pilot.

Jamie Orr

School: New Glarus.

Year: senior.

Sports: basketball, track & field.

Fast Facts: A two-time letterwinner in basketball, Orr has started all three games this season as a forward/guard. She averaged 2 points and 3 rebounds per game as a part-time starter as a junior. Orr is a three-time letterwinner in track and field, competing in the 100- and 200-meter dashes, long jump and 800 relay. The Glarner Knights' 800 relay was second in the Six Rivers Conference meet last spring. She also competed in cross country as a freshman and sophomore, but served as a team manager for the sport as a junior and senior.

Cumulative grade-point average: 3.95.

Favorite subjects: English, photography.

Quick quote: 'The biggest lesson I've learned is to leave everything on the court when you're down. Don't take it home with you.'

Three words to describe me are: outgoing, creative, involved.

How I got started in sports: I began competing in volleyball, basketball and track and field in seventh grade.

My most memorable moment in high school was: competing against Barneveld in the regional finals at Verona my sophomore year.

I enjoy high school sports because: of being on a team with my friends and knowing the people we compete against.

I enjoy playing basketball because: it's competitive, and I love the atmosphere and the roar of the crowd during the games.

Advice: If you don't try to get involved in sports or in school, you'll never know what a rewarding experience it will be.

My role models are: my grandmother, Margaret Sheldon, and my art teacher, Jeff Mergenau.

Favorite movies: Empire Records; High Fidelity.

Favorite TV shows: Alias; The Simpsons.

Favorite food: Subway subs.

Favorite sport to watch on TV: Football.

Favorite place to visit: Germany.

I want to visit: Italy.

I listen to: 92.1-FM.

This and that: Member of National Honor Society, FFA, Student Council, Kids Who Care and Pep Club...State president of FCCLA (Family, Career, Community Leaders of America)...plays alto saxophone in school band and participates in school musicals...hobbies include running and photography.

Post-high school plans: Attend Columbia School of Arts to major in theater or photography.

Career: Working in a small theater company.

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